Outdoor portraits, keeping it simple.

With outdoor portraits, keep it simple. What do I mean by this? Out of the studio we have one light, the sun. It might seem obvious but how we use it matters a lot. What I will say here is that my way is not the only way but it is not a bad place to start from. It works and is very simple.

My favored method for outdoor portraits is to have the sun behind your subject. This puts a back-light on the hair. Once there is back-light on the hair it gives a separation between the subject and the background. Even in woodland you will find areas where the sun shines through. Use these areas as your place to shoot and think of them as your starting point for a shot. 

When you have to sun behind the subject it gives a lovely soft light on the face. It is a very flattering light with no black shadows cast across the face.

The other thing to say here is to use your lens at the widest aperture, f2.8 to f5.6, this puts the background out of focus. It adds to the effect of separating subject from background. 

The first image of Sarra is shows the effect that you get clearly. The light on her coat particularly gives great separation from the background. The light on her face is just stunning.

Sun, outdoor portrait
Using the sun as a back light.

What isn’t as obvious in the first image is the use of a reflector. I always use a reflector to put a little light back into the face. This has the effect of brightening up the face and especially the eyes. It also gives a massive bonus of creating some catch lights in the eyes. This does make a massive difference to any portrait. 

What are reflectors? Basically they are something that will reflect a bit of light. They can be silver, try aluminium foil stuck to a board, a white sheet, white paper stuck to a board. I have used a white shirt that I was wearing. Very easy, very simple. You can buy silver or gold reflectors but I find white is perfect for what I want.

I personally find the Lastolite tri-grip reflectors perfect for my needs. These flip up and fold down very easily and so easy to carry. My kit includes a regular size one and a large on. Both have a white/silver side. 90% of use is the large one on the white side.     

The second shot of Sarra, you can see the catch lights in the eyes whilst still having a lovely soft light on the face. 

outdoor portraits
Catchlights in the eyes.

 

Reflections and future plans.

 

Reflections and future plans is really a catch up post and a little about plans for this year. My blog has moved on dramatically over the last year. I have added lots of new posts to it, this has brought lots of new readers and moved up the rankings. A contact form has been added, a subscribe from has been added, a gallery page has been put on the blog. The blog gallery is a bit limited at the moment but will be expanded this year. 

The improvement that I love most is the link to my Instagram page. This shows a constant updating of images that I take and some fun ones. Now I know some of you who love technology will find all this easy stuff but takes me quite a while to work out how to get things working. 

My move to landscape photography began after a dark period in my life. I hold a Licenciateship in wedding photography. This year is the last time that I will cover a wedding. I will still do some portrait photography. They will only be natural portraits rather than studio shots.

My focus will be on improving as a landscape photographer. I will make mistakes along the way but hopefully even at 60 I will look to improve. 

Over the last couple of years I have learned to see the world differently. You see things that other people don’t notice. I have found that I love reflections and long exposures so will work on these. 

Because I am of the older generation we had to do things in the camera. This works for me as I prefer to be out in the countryside than sat in front of a computer. The computer side of things will continue to be a learning curve for me, there are plenty of great tutorials on You tube.

Whereas with portrait and wedding photography I would shoot hundreds of images in a day, now I happy to come away with a dozen.

Most of my shots now are done on a tripod, I still use filters rather than relying on lightroom or photoshop. Its not just about being old fashioned but about enjoying time out in the countryside. 

This year my main target is the Scotland 500 trip which I will do over 2 to 3 weeks. This will be so that I have the time to spend on areas and shots. I have yet to decide whether I will use a campervan or buy a big 4×4 to sleep in.

There will be more places covered in the UK this year. I will do a trip abroad though not sure as yet where it will be.  

I will be moving more into vlogging this year and intend to buy a go pro camera. More on this later.

 

 

Urban portraits 2.

Rather than in the previous urban portrait which I made high key so reducing the color in post processing, with this one I have saturated the color to emphasize the color in the brickwork. The place is an old railway arch, water has run down the walls to create some amazing colors as a backdrop. A good tip is when you look at color, see what you can do with it rather than always just as it appears.  The clothes chosen were to match in with the backdrop. Saturating the colors in Lightroom also added the emphasis to the girls red hair.

When posing someone in this type of scene, look for something that adds interest to the scene rather than just a straight pose. Urban portraits should be a little edgy not like classical portraits. The great thing about an area like this is that the light is lovely open shade which in nice and soft and allows you to vary things as you require.

To turn your photography from recording an image to art is making a scene your own. Look at the scene and see how you would like it look to look then make it happen. You will find plenty of tutorials on You Tube about working with your RAW files, watch and learn from them.

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Urban portraits.

With urban portraits, do not be frightened to be different and try something new. Often it is best to fit people into scenes but here is a head shot and the emphasis is on the eyes. The face in this shot is cut into sections by some bars on the front of a hotel but the eyes hold the viewer. The image has been made into a high key image to take out some of the tonal range and leave the beautiful eyes as the main point of focus. Part of working outdoors is to take what nature throws at you and here the hair is left to it’s own devices, it has worked out beautifully in this shot giving the shot an extra dimension.

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Outdoor portraiture.

As a change from my usual posts I am adding people into this post and talking about outdoor portraiture.  I have great love of capturing people naturally. I like to fit people into landscapes and scenes. As with all portraiture the aim is capture something about a person. A feeling or a look that says to someone this is me. The great thing about working outdoors is that people tend to be more relaxed, the images should be more informal.

You will need to find your own way to work but the way that I work is to put people into a position I want to photograph them in then get them to move slowly and change position and give me different looks. Talk to people and continue to shoot all the time. You will get a few mistakes shooting like this but you will get many great shots.

Use a longer lens for this type of work and a big aperture, f4 or f2.8 should work for you. However you shoot the most important thing is the person or people that you are photographing.

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